Tuesday, September 16, 2014

Movie Review: "The One I Love" (Charlie McDowell, 2014)

THE ONE I LO—WAIT!  WHAT? by Maxwell Meyers        
 Above: Elizabeth Moss and Mark Duplass confront a mind-bending mystery
 
Who doesn't love a challenge?  I know I don't always, but every once in a while I like to face powerful and difficult movies like “Boyhood” (which is amazing—if you haven't seen it, do yourself a favor and get out and watch it immediately).  Or director Charlie McDowell’s indie romance “The One I Love.”

Having seen the film’s trailer, I knew going in that the movie was about a couple going on vacation together to fix their relationship.  The premise seemed simple enough, but every review I read mentioned a twist that made the film is nearly un-reviewable.  Challenge accepted.  I, Maxwell Meyers, will attempt to review the un-reviewable without resorting to spoilers.

            What can I reveal?  For starters, that “The One I Love” is definitely one of the more interesting movies I’ve seen this year.  I had no idea what I was getting into when I bought my ticket, but I laughed and was confused for most of the movie—in the best possible way (and it's not often you can be baffled for the majority of a film that doesn't feature someone dying in a mysterious way—and leave happy about it).

            The plot—Mark Duplass and Elisabeth Moss star as Ethan and Sophie, who, after meeting with a therapist played by Ted Danson (that's the entirety of the cast, by the way) journey to a vacation house, where they hope to mend their fractured relationship.  At first, all seems well—the house they pick is gorgeous, unoccupied, and even has a pool. 

But after their first there, Sophie wanders out to the guest house and things get strange, leading to a mystery that keeps you guessing up until the last minutes of the film.

            It’s thanks to the cast and crew of “The One I Love” that this story is engaging rather than infuriating.  Mr. Duplass and Ms. Moss give great, multi-layered performances; Mr. McDowell stages some superb shots of Ethan alone and of the property; and the writing, brought to you by Justin Lader (who also executive produced), brings you into this strange story—and the hearts of two people who love each other, yet have trouble connecting.  In fact, the movie and its myriad twists and turns are so compelling that while watching it unfold, I found myself putting me and my partner into this couple’s position, and wondering how we would handle a similar situation.  

            So, while reviewing “The One I Love” is difficult, it is a film worth talking about—and any movie worth talking about, in my personal opinion, is worth seeing.  I would give this movie a solid B+; it does almost everything right, and my only real concern is the ending (which is not entirely satisfying).  I don't know if “The One I Love” will fall in the pantheon of films that are remembered until the end of time, but it is definitely one that moviegoers will be talking about for years to come.

            Also, the film is playing on-demand right know, and sometimes there is nothing nicer than a movie night in.  

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