by Maxwell
Meyers
"You have all heard the story, now it's time to hear the
truth”—that’s the logic that Disney has attempted to apply to their newest
film, "Maleficent." It’s a
retelling of "Sleeping Beauty" but this time, the story is told from
the antagonist’s perspective. Certainly,
this is a different approach to an old story, but that doesn’t change the fact
that the film is disappointingly executed. At once convoluted and undercooked,
“Maleficent” fails to live up to Angelina Jolie’s fantastic performance as its
title villain.
Of course, Maleficent is more than a mere baddie. In the film, we see her journey from being a
curious, fun-loving orphan to being the protector of the forest kingdom called
the Moors. But despite Maleficent’s
initial innocence, she ultimately earns the mistrust of the humans and their
king (Sharlto Copley) especially. Maleficent’s
hatred then inspires her to cast a sleeping curse on the Princess Aurora (Elle
Fanning), who maybe the key to bringing peace to both kingdoms.
Under the eye of first-time director Robert Stromberg (an Academy
Award-winning production designer), this tale looks truly beautiful. Of course, if you saw a single trailer for
this movie, this will come as no surprise—the use of colors, light and,
darkness makes “Maleficent” a genuinely pretty film. And while Mr. Stromberg doesn't do anything
new or mind blowing with his direction, he fully makes up for that with the
gorgeous landscapes, fascinating creatures, and overall ambiance of the film. It’s also refreshing to see Ms. Jolie inhabit
a role as entertaining as Maleficent; I believe that now that she’s played this
character, her serious roles be even more enjoyable to watch.
Sadly, this is where my love for “Maleficent” begins to dwindle. Not only is the script pretty weak, but the
movie barely clocks in over 90 minutes, causing the plot to fall short. And while the dialogue is fine, I have issues
with the characters’ motivations. In
particular, Mr. Copley's portrayal of the king who would sacrifice his oldest
friendship makes no sense, and Maleficent's "revenge" of placing a
curse on the king’s daughter endures a drastic switch that’s even more
preposterous. And why does Maleficent
spend her time attempting to keep the child alive while her airheaded and
negligent pixie guardians nearly kill her, starve her, and just plain natter
away in the woods?
Speaking of pixies, I know this is supposed to be the story about
how Maleficent wasn't really that evil, but I still feel like screenwriter
Linda Woolverton could have done more to link this film to the original Disney
classic. Why not have a musical moment
with Aurora and Prince Phillip? Why are
the new pixies such ditzes? Why not have
a troll army? It was Disney who produced
the original film; it's not like they don't have the rights.
That being said, the party sequence when Maleficent strolls in,
wearing that famous black gown with her crow crony and staff, is spectacular
(and does feel like it could have been straight out of the cartoon classic). Yet I still feel that as a movie, “Maleficent”
is pretty average. I will probably pick
it up on Blu-ray, but definitely on the cheap. And if you are trying to choose
the movies you MUST see in theaters for the summer, I would say wait for this
one until its second run or home video release. Ms. Jolie may give a committed and colorful
performance in a world that is gorgeous to look at, but the movie’s skimpy plot
and wishy-washy motivations keep it from being one of the season’s must-see
films.
Final Score: C
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