Above: Tom Hiddleston and Rachel Weisz in "The Deep Blue Sea," from March 2012
Ah, January, February, March,
and April—the months when studios take out their trash. Or at least that’s what most people
believe. As usual, the truth is more
complex. While distributors do tend to
release their highest profile blockbusters and awards contenders in Summer,
Fall, and early Winter, the late Winter/early Spring dead zone has hosted some
cinematic masterpieces of its own. And
while it may not be prime a movie-going season, that’s why it’s so special—because
there’s room for small (and big) risky films to slip into theaters.
And so, here (in alphabetical order) are some of my
favorite films that were released in Hollywood’s so-called dead season:
“The Adjustment Bureau” (George Nolfi,
2011)
“American Dreamz” (Paul Weitz, 2006)
“Be Kind Rewind” (Michel Gondry, 2008)
“Blades of Glory” (Will Speck and Josh
Gordon, 2007)
“Breach”
(Billy Ray, 2007)
“The
Deep Blue Sea” (Terence Davies, 2012)
“The
Dreamers” (Bernardo Bertolucci, 2004)
“The
Hitchhiker’s Guide to the Galaxy” (Garth Jennings, 2005)
“Jeff,
Who Lives At Home” (Jay Duplass and Mark Duplass, 2012)
“John
Carter” (Andrew Stanton, 2012)
“To
the Wonder” (Terrence Malick, 2013)
“Two
Lovers” (James Gray, 2009)
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