It’s here! As of midnight last night, the summer movie
season is officially in session. This
might seem crazy (since it is, in fact, not yet actually summer yet) but for
some reason Hollywood decided long ago that their summer calendar should
encompass the entirety of May, which has become a kickoff month for popcorn
extravaganzas. For some people, this
means the beginning of four months inflamed with mindless blockbusters, but I
don’t feel that way. Summer is, truth be
told, my favorite movie season of the year.
Why? I’ll tell
you. It’s not that the best movies come
out in May, June, July, and August—in fact, those months play host to some of
the worst. And yet the anticipation is at its most thrilling
during that time. Those months are
packed with franchise films and for me, one of the most giddily exciting
experiences in the world is looking forward to a reunion with my favorite
characters, whether they be merry Marvel mutants or the bridge crew of a
certain Federation starship. By that
count, I’m as psyched about 2013 as I’ve been about any summer, and it is
because of these films….
THE
BLING RING While there are many directors I love, I have
no hesitation in naming Sofia Coppola as my favorite. As the auteur behind “Lost in Translation”
and “Somewhere,” she’s grown into a rarity—a filmmaker who can craft
beautifully poetic images while maintaining a slow rhythm that deepens their realism. So how will she apply that style to a crime
movie? I’m curious, because “The Bling
Ring” is about a group of teenagers stealing from celebrities…and getting
caught. If the trailer is any
indication, the film promises deliciously nasty social commentary and a
hilariously exaggerated performance by Emma Watson. Release date: June 14.
BLUE
JASMINE For the past eight years, Woody Allen has been on a self-deprecating
hot streak. Yet his last film, “To Rome With
Love,” displayed a new level of maturity—it was a witty yet rueful ensemble
comedy that dealt with fame, aging, and love in a truthful and nimbly
entertaining fashion. With any luck, “Blue
Jasmine” will extend that success, with a plot that travels between New York
and San Francisco and a starring role for Alec Baldwin, who also starred in “To
Rome.” Release date: July 26.
ONLY
GOD FORGIVES It could be sickening. A tale of a deadly boxing match in Bangkok, “Only
God Forgives” is the work of Nicolas Winding Refn, a director who loves to
indulge in poetically graphic violence. Yet
Mr. Refn (whose last film was the amazing “Drive”) is also a screen poet, a man
who revels in powerful emotions (whether they be love or revenge) and gorgeous
shots of luminous, shadowy skyscrapers. The
chance that “Only God Forgives” will offer such beauty once more (along with
the opportunity to see Mr. Refn reunited with his “Drive” star, Ryan Gosling,
an actor emotes more with his pupils than many can communicate with a single
word) is a good enough reason to see it, as far as I’m concerned. Release date: July 19.
STAR
TREK INTO DARKNESS “Tiberius?
Are you kidding me? No way, that’s
the worst. Let’s name him after your dad—let’s
call him Jim.” Four years ago, those
words were spoken in one of the saddest and most beautiful scenes in cinematic
history—the opening of “Star Trek.” And
while the film was focused on the fledgling career of would be space
explorer-warrior Jim Kirk (Chris Pine), its inaugural story of how Kirk’s
father died in battle was what truly revealed the movie’s powerfully emotional
core. Now, “Trek” director J.J. Abrams
has returned with a sequel that reunites the same cast and crew, from Mr. Pine
to cinematographer Dan Mindel (which means you can expect even more richly
colored and kinetically composed shots).
And with the increased stakes (provided by Benedict Cumberbatch’s exceedingly
fashionable antagonist) it may be that this time around, the emotions will run
higher still. Release date: May 17.
THE
WOLVERINE Ever since he first punched his way through “X-Men,”
Wolverine (Hugh Jackman) has been a compelling character, a warrior whose
ruthlessness is undercut by his compassion.
With this film, those qualities will be tested in a new landscape—Japan,
in the near future, where Wolverine wrestles with his immortality and finds
himself caught in a web of treachery and intrigue. With the talented James Mangold directing,
expect nifty, well-choreographed action, great drama, and a stellar performance
from Mr. Jackman (Mr. Mangold directed one of the actor’s greatest
performances, in the terrific romantic comedy “Kate and Leopold”). And if that doesn’t entice you, maybe this
will—the film (release date: July 26) should get you in the mood for Wolverine’s
next appearance in a movie called…never
mind. I think I’ll wait to write about
that one until next year’s summer
movie preview. J
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